Tue. Sep 27th, 2022


Dir/scratch: Yorgos Gossis. Greece 2022. 77 min.

A sport with minimal cinematic legacy provides a brand new muscle to Yorgos Gossis’ Greek documentary claw fighter ,hieropalistis), though the precise enterprise of Mano-a-Mano melee is way from heart stage. As an alternative, this Thessaloniki documentary competition premiere is an absorbingly wacky, fly-on-the-wall character-study for the director’s brother Panos—a 30-year-old cafe-owner, aspiring actor, and occasional clown/magician, with a hand for Wrestling is basically a time-consuming aspect line. A co-production of Greece’s nationwide broadcaster, the competition deserves additional big-screen drama among the many circuit’s extra discerning non-fiction-oriented applications.

claw fighter Completely elegant, ​​balanced and streamlined case from prime to backside

In 2020, director/co-writer Gauss landed the Oscars equal of Grease when his 22-minute arm wrestler Named Greatest Quick Documentary on the Hellenic Movie Academy Awards. This new work, regardless of the abbreviated title, is an extension of an earlier mission that features a lot of its footage and mentions of its winnings – the perspective of Morgan Dziurla-Petit together with her Rotterdam Prize winner from earlier this yr. Was additionally, Further will save us.

At one level, the protagonist Panos can also be seen watching and commenting on Quick in mattress together with his girlfriend Stefania – true to the lengthy observation-documentary mode, the self-evident presence of the digicam and crew at any time. Indirectly accepted, even inside the boundaries of the bed room.

Nonetheless, there are a number of gaps when the brothers (Yorgos is heard however unseen) chat freely whereas Panos drives; The latter opens up about her present state of affairs and her hopes for the longer term. After initially coming off because the considerably humorous sort, the enterprising, formidable and protracted Panos rapidly reveals a sure deadpan wit. This helps him take care of the day by day frustrations given to him by his fellow human beings.

Even when he succeeds within the arm-wrestling area (after a number of on-camera reverses), Panos — who payments himself as “The No person” — can simply loosen up and have fun. unable, as an alternative discovering sufficient gasoline for his ever-scorching anger. Incompetence of sports activities officers.

In addition to serving as an intimate portrait of an uncommon individual, claw fightermanages to pack an astonishing quantity into his 77-minute running-time. Panos’ social context is unobtrusively sketched, as he argues between the Athens suburbs the place his cafe-grill restaurant is situated and his house village within the countryside. Scenes of arduous roadwork amidst a variety of pure and industrial backdrops – ocher hills, fume-belching chemical works – are crisply executed in an atmospheric medium and shot in size by cinematographer Yorgos Koutaliaris, who was directed by Dimitris. Enhanced by Manausiakis’s digital color-correction.

In a refreshing departure from present documentary trend, in the meantime, the rating by Pan Pan and Haris Nilus could be very loosely positioned. Guess (whose solely earlier feature-length outing was 2021 fiction Magnetic Subject ) extra prominently options the diabolical vocals of loud electronica performed to the accompaniment of frantically flashing lights in arm-wrestling tournaments. A world away from such showbiz excesses, claw fighterFrom prime to backside is an completely elegant, ​​balanced and well-revised affair, distinguished by a powerful inventive spirit and even Impressionist poetry by means of the sluggish transitional fractures of veteran editor Dimitris Polizos. touches too.

Manufacturing Firm: Oh My Canine Productions

Worldwide Gross sales: Oh My Canine, f.economopoulou@gmail.com

Producers: Fotini Iconomopolu, Vasiliki Patroba, Sofia Dimopolu

Screenplay: Yorgos Gaussis, Yorgos Koutsalyaris

Modifying: Dimitris Polyzos

Cinematography: Yorgos Koutsaliaris

Music: Haris Neelas, Paan Pan



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